After the Gibson SJ-200 was launched in 1937, it quickly earned the title “the King of the Flat-Tops” due to its superior sound, physical size, outstanding projection, and majestic appearance. The earliest model years of the SJ-200 used rosewood for the back and sides, and this was switched to maple in 1947. Due to the harsh realities of the economy after the Great Depression, there was limited demand for the top-of-the-line SJ-200, and consequently, relatively few were produced. The ra. . . Read More
After the Gibson SJ-200 was launched in 1937, it quickly earned the title “the King of the Flat-Tops” due to its superior sound, physical size, outstanding projection, and majestic appearance. The earliest model years of the SJ-200 used rosewood for the back and sides, and this was switched to maple in 1947. Due to the harsh realities of the economy after the Great Depression, there was limited demand for the top-of-the-line SJ-200, and consequently, relatively few were produced. The rare rosewood-bodied pre-war SJ-200 models have become highly prized by today’s collectors, which has driven their used prices up significantly on the vintage guitar market. Now, Epiphone has partnered with Gibson Custom to create an Inspired by Gibson Custom recreation of this vintage icon, making it more readily available for today’s players to enjoy. The Epiphone Pre-War SJ-200 Rosewood Reissue is replete with vintage-inspired details, including solid rosewood back and sides, a thermally aged solid spruce top with traditional scalloped X-bracing made from quarter-sawn solid spruce, and a two-piece maple neck with a rosewood stringer and Round D profile and is attached to the body with a glued-in dovetail joint. The ebony fretboard is adorned with mother-of-pearl graduated Crown inlays and equipped with 20 standard frets. The SJ-200 style pickguard has vintage-style graphics, and the ebony SJ-200 open two-bar Moustache™ bridge has mother-of-pearl inlays. The nut, compensated saddle, and bridge pins are all made of bone. The Gibson “open book” headstock features a vintage Epiphone logo and a Gibson Crown inlaid in aged mother-of-pearl and has a stinger and an Inspired by Gibson Custom Double Diamond logo etched on the rear. In a nod to the needs of modern musicians, it comes with an under-saddle L.R. Baggs™ VTC piezo pickup and active preamp with soundhole-mounted volume and tone controls pre-installed, so it is stage and studio ready, straight out of the included Red Line-inspired hardshell case with Inspired by Gibson Custom graphics.
Specifications
Body Specs
Back
Solid Rosewood
Binding
Multi-ply Top, Back, and Headstock, Single-ply Fretboard
Body Finish
Vintage Gloss
Body Material
Solid Rosewood
Body Shape
SJ-200
Body Styles
Jumbo
Bracing
Traditional Scalloped X-Brace; Quarter Sawn Solid Spruce
Side
Solid Rosewood
Top
Thermally Aged Solid Spruce
Neck Specs
Fingerboard Material
Ebony
Fingerboard Radius
304.8mm / 12.0in
Fret Count
20
Frets
Standard
Inlays
Mother of Pearl Graduated Crown
Joint
Glued In, Set Neck; Dovetail Joint
Neck Material
2-piece Maple with Rosewood Stringer
Nut Material
Bone
Nut Width
44.2mm / 1.74in
Profile
Rounded D
Scale Length
647.7mm / 25.5in
Electronics Specs
Controls
Soundhole Mounted Volume and Tone
Output Jack
1/4″ Endpin
Preamp
L.R. Baggs VTC
Under Saddle Pickup
L.R. Baggs VTC
Hardware Specs
Bridge
Ebony SJ-200 Open Two Bar Moustache with Mother of Pearl Inlays
Bridge Pins
Bone
Pickguard
SJ-200 with Vintage-style Graphics
Saddle Material
Compensated Bone
Strap Buttons
Endpin Jack
Truss Rod
Dual Action
Truss Rod Cover
2-ply Black, Wide White
Tuner Plating
Gold
Tuning Machines
Grover Imperial
Misc Specs
Case
Red Line-inspired Hardshell with Inspired by Gibson Custom Graphics
Model:
ECPW200VSGH1
Headstock
Gibson Open Book with Stinger and Inspired by Gibson Custom Logo on Rear
Headstock Inlay
Vintage Epiphone Logo and Gibson Crown in Aged Mother of Pearl
Strings Gauge
.012, .016, .024, .032, .042, .053
